VEDA OPERA UNIVERSITY
Scientific Application and Artistic Utilization
of the Cosmic Harmony Laws of the Microcosm of Music
PETER HÜBNER – STUDY OF MUSIC – STUDY OF THE INNER FORCES OF MAN
MAIN STUDY 1 – Special music research
Study of the Analysis in the Musical Fields of Knowledge – 7.1.0.00.00
The physics of the overtone mechanics of the tone in the musical fields of knowledge
Analysis of the overtone mechanics of the tone in the musical process of knowing – 7.1.1.08.00
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.01.1 | 7.1.1.08.01.2 | 7.1.1.08.01.3 | 7.1.1.08.01.4 | 7.1.1.08.01.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.02.1 | 7.1.1.08.02.2 | 7.1.1.08.02.3 | 7.1.1.08.02.4 | 7.1.1.08.02.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.03.1 | 7.1.1.08.03.2 | 7.1.1.08.03.3 | 7.1.1.08.03.4 | 7.1.1.08.03.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.04.1 | 7.1.1.08.04.2 | 7.1.1.08.04.3 | 7.1.1.08.04.4 | 7.1.1.08.04.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.05.1 | 7.1.1.08.05.2 | 7.1.1.08.05.3 | 7.1.1.08.05.4 | 7.1.1.08.05.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.06.1 | 7.1.1.08.06.2 | 7.1.1.08.06.3 | 7.1.1.08.06.4 | 7.1.1.08.06.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.07.1 | 7.1.1.08.07.2 | 7.1.1.08.07.3 | 7.1.1.08.07.4 | 7.1.1.08.07.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.08.1 | 7.1.1.08.08.2 | 7.1.1.08.08.3 | 7.1.1.08.08.4 | 7.1.1.08.08.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.09.1 | 7.1.1.08.09.2 | 7.1.1.08.09.3 | 7.1.1.08.09.4 | 7.1.1.08.09.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.10.1 | 7.1.1.08.10.2 | 7.1.1.08.10.3 | 7.1.1.08.10.4 | 7.1.1.08.10.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.11.1 | 7.1.1.08.11.2 | 7.1.1.08.11.3 | 7.1.1.08.11.4 | 7.1.1.08.11.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the overtone mechanics of the tone in the musical process of knowing in the | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical | Analysis of the overtone mechanics of the tone in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.1.08.12.1 | 7.1.1.08.12.2 | 7.1.1.08.12.3 | 7.1.1.08.12.4 | 7.1.1.08.12.5 |