VEDA OPERA UNIVERSITY
Scientific Application and Artistic Utilization
of the Cosmic Harmony Laws of the Microcosm of Music
PETER HÜBNER – STUDY OF MUSIC – STUDY OF THE INNER FORCES OF MAN
MAIN STUDY 1 – Special music research
Study of the Analysis in the Musical Fields of Knowledge – 7.1.0.00.00
The physics of the unvoiced consonant in the musical fields of knowledge
Analysis of the unvoiced consonant in the musical process of knowing – 7.1.2.11.00
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.01.1 | 7.1.2.11.01.2 | 7.1.2.11.01.3 | 7.1.2.11.01.4 | 7.1.2.11.01.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.02.1 | 7.1.2.11.02.2 | 7.1.2.11.02.3 | 7.1.2.11.02.4 | 7.1.2.11.02.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.03.1 | 7.1.2.11.03.2 | 7.1.2.11.03.3 | 7.1.2.11.03.4 | 7.1.2.11.03.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.04.1 | 7.1.2.11.04.2 | 7.1.2.11.04.3 | 7.1.2.11.04.4 | 7.1.2.11.04.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.05.1 | 7.1.2.11.05.2 | 7.1.2.11.05.3 | 7.1.2.11.05.4 | 7.1.2.11.05.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.06.1 | 7.1.2.11.06.2 | 7.1.2.11.06.3 | 7.1.2.11.06.4 | 7.1.2.11.06.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.07.1 | 7.1.2.11.07.2 | 7.1.2.11.07.3 | 7.1.2.11.07.4 | 7.1.2.11.07.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.08.1 | 7.1.2.11.08.2 | 7.1.2.11.08.3 | 7.1.2.11.08.4 | 7.1.2.11.08.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.09.1 | 7.1.2.11.09.2 | 7.1.2.11.09.3 | 7.1.2.11.09.4 | 7.1.2.11.09.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.10.1 | 7.1.2.11.10.2 | 7.1.2.11.10.3 | 7.1.2.11.10.4 | 7.1.2.11.10.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.11.1 | 7.1.2.11.11.2 | 7.1.2.11.11.3 | 7.1.2.11.11.4 | 7.1.2.11.11.5 |
COGNITION | COGNITION | COGNITION | COGNITION | COGNITION |
Analysis of the unvoiced consonant in the musical process of knowing in the | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical | Analysis of the unvoiced consonant in the musical process of knowing in the musical |
acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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7.1.2.11.12.1 | 7.1.2.11.12.2 | 7.1.2.11.12.3 | 7.1.2.11.12.4 | 7.1.2.11.12.5 |