STUDY OF MUSIC
STUDY OF THE INNER FORCES OF MAN
PETER HÜBNER – STUDY OF MUSIC – STUDY OF THE INNER FORCES OF MAN
MAIN STUDY 3
Study of the Laws of Music in the Field of Unity – 7.3.0.00.00
Common eigenfunction of the attacks of idea, sound and tone in the musical force-fields
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating – 7.3.1.21.00
- in the musical harmony-space
- in the musical sequence-space
- in the musical motif-space
- in the musical tone-space
- in the acoustic space
SEMINARS
Seminar 7.3.1.21.01
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of our self-awareness to the force-field of our intellect
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.01.1 |
7.3.1.21.01.2 |
7.3.1.21.01.3 |
7.3.1.21.01.4 |
7.3.1.21.01.5 |
Seminar 7.3.1.21.02
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of our intellect to the force-field of the musical harmony-space
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.02.1 |
7.3.1.21.02.2 |
7.3.1.21.02.3 |
7.3.1.21.02.4 |
7.3.1.21.02.5 |
Seminar 7.3.1.21.03
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of the musical harmony-space to the force-field of our feeling
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.03.1 |
7.3.1.21.03.2 |
7.3.1.21.03.3 |
7.3.1.21.03.4 |
7.3.1.21.03.5 |
Seminar 7.3.1.21.04
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of our feeling to the force-field of the musical sequence-space
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.04.1 |
7.3.1.21.04.2 |
7.3.1.21.04.3 |
7.3.1.21.04.4 |
7.3.1.21.04.5 |
Seminar 7.3.1.21.05
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of the musical sequence-space to the force-field of our understanding
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.05.1 |
7.3.1.21.05.2 |
7.3.1.21.05.3 |
7.3.1.21.05.4 |
7.3.1.21.05.5 |
Seminar 7.3.1.21.06
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of our understanding to the force-field of the musical motif-space
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.06.1 |
7.3.1.21.06.2 |
7.3.1.21.06.3 |
7.3.1.21.06.4 |
7.3.1.21.06.5 |
Seminar 7.3.1.21.07
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of the musical motif-space to the force-field of our hearing
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.07.1 |
7.3.1.21.07.2 |
7.3.1.21.07.3 |
7.3.1.21.07.4 |
7.3.1.21.07.5 |
Seminar 7.3.1.21.08
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of our hearing to the force-field of the musical sound-space
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.08.1 |
7.3.1.21.08.2 |
7.3.1.21.08.3 |
7.3.1.21.08.4 |
7.3.1.21.08.5 |
Seminar 7.3.1.21.09
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of the musical sound-space to the field of our inner voice
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.09.1 |
7.3.1.21.09.2 |
7.3.1.21.09.3 |
7.3.1.21.09.4 |
7.3.1.21.09.5 |
Seminar 7.3.1.21.10
Common eigenfunction of the attacks of idea, sound and tone at the transition from the field of our inner voice to the force-field of our mind
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.10.1 |
7.3.1.21.10.2 |
7.3.1.21.10.3 |
7.3.1.21.10.4 |
7.3.1.21.10.5 |
Seminar 7.3.1.21.11
Common eigenfunction of the attacks of idea, sound and tone at the transition from the force-field of our mind to the field of our neurophysiology
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.11.1 |
7.3.1.21.11.2 |
7.3.1.21.11.3 |
7.3.1.21.11.4 |
7.3.1.21.11.5 |
Seminar 7.3.1.21.12
Common eigenfunction of the attacks of idea, sound and tone at the transition from the field of our neurophysiology to the force-field of the acoustic space
HARMONY |
HARMONY |
HARMONY |
HARMONY |
HARMONY |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the musical |
Universal synthesis of the attacks of idea, sound and tone in the musical process of creating in the |
harmony-space |
sequence-space |
motif-space |
tone-space |
acoustic space |
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7.3.1.21.12.1 |
7.3.1.21.12.2 |
7.3.1.21.12.3 |
7.3.1.21.12.4 |
7.3.1.21.12.5 |