STUDY OF MUSIC
STUDY OF THE INNER FORCES OF MAN
STUDY OF THE INNER FORCES OF MAN
PETER HÜBNER – STUDY OF MUSIC – STUDY OF THE INNER FORCES OF MAN
MAIN STUDY 3
Study of the Laws of Music in the Field of Unity – 7.3.0.00.00
Study of Music › 7.3.0 Content Main Study 3 › 7.3.3 Content Evolution of Idea and Sound in the Field of Unity › 7.3.3.11 Common eigenfunction of the attacks of idea and tone
Common eigenfunction of the attacks of idea and tone in the musical force-fields
Universal analysis of the combination of basic sound and basic idea in the musical process of creating – 7.3.3.11.00
- in the musical harmony-space
- in the musical sequence-space
- in the musical motif-space
- in the musical tone-space
- in the acoustic space
SEMINARS
Seminar 7.3.3.11.01
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our self-awareness to the force-field of our intellect
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.01.1 | 7.3.3.11.01.2 | 7.3.3.11.01.3 | 7.3.3.11.01.4 | 7.3.3.11.01.5 |
Seminar 7.3.3.11.02
Common eigenfunction of the attacks of idea and tone at the transitionfrom the force-field of our intellect to the force-field of the musical harmony-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.02.1 | 7.3.3.11.02.2 | 7.3.3.11.02.3 | 7.3.3.11.02.4 | 7.3.3.11.02.5 |
Seminar 7.3.3.11.03
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of the musical harmony-space to the force-field of our feeling
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.03.1 | 7.3.3.11.03.2 | 7.3.3.11.03.3 | 7.3.3.11.03.4 | 7.3.3.11.03.5 |
Seminar 7.3.3.11.04
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our feeling to the force-field of the musical sequence-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.04.1 | 7.3.3.11.04.2 | 7.3.3.11.04.3 | 7.3.3.11.04.4 | 7.3.3.11.04.5 |
Seminar 7.3.3.11.05
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of the musical sequence-space to the force-field of our understanding
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.05.1 | 7.3.3.11.05.2 | 7.3.3.11.05.3 | 7.3.3.11.05.4 | 7.3.3.11.05.5 |
Seminar 7.3.3.11.06
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our understanding to the force-field of the musical motif-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.06.1 | 7.3.3.11.06.2 | 7.3.3.11.06.3 | 7.3.3.11.06.4 | 7.3.3.11.06.5 |
Seminar 7.3.3.11.07
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of the musical motif-space to the force-field of our hearing
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.07.1 | 7.3.3.11.07.2 | 7.3.3.11.07.3 | 7.3.3.11.07.4 | 7.3.3.11.07.5 |
Seminar 7.3.3.11.08
Common eigenfunction of the attacks of idea and tone at the transition from theforce-field of our hearing to the force-field of the musical sound-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.08.1 | 7.3.3.11.08.2 | 7.3.3.11.08.3 | 7.3.3.11.08.4 | 7.3.3.11.08.5 |
Seminar 7.3.3.11.09
Common eigenfunction of the attacks of idea and tone at the transitionfrom the force-field of the musical sound-space to the field of our inner voice
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.09.1 | 7.3.3.11.09.2 | 7.3.3.11.09.3 | 7.3.3.11.09.4 | 7.3.3.11.09.5 |
Seminar 7.3.3.11.10
Common eigenfunction of the attacks of idea and tone at the transition from the field of our inner voice to the force-field of our mind
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.10.1 | 7.3.3.11.10.2 | 7.3.3.11.10.3 | 7.3.3.11.10.4 | 7.3.3.11.10.5 |
Seminar 7.3.3.11.11
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our mind to the field of our neurophysiology
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.11.1 | 7.3.3.11.11.2 | 7.3.3.11.11.3 | 7.3.3.11.11.4 | 7.3.3.11.11.5 |
Seminar 7.3.3.11.12
Common eigenfunction of the attacks of idea and tone at the transition from the field of our neurophysiology to the force-field of the acoustic space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical | Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the |
| harmony-space | sequence-space | motif-space | tone-space | acoustic space |
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| 7.3.3.11.12.1 | 7.3.3.11.12.2 | 7.3.3.11.12.3 | 7.3.3.11.12.4 | 7.3.3.11.12.5 |