STUDY OF MUSIC
STUDY OF THE INNER FORCES OF MAN
STUDY OF THE INNER FORCES OF MAN
PETER HÜBNER – STUDY OF MUSIC – STUDY OF THE INNER FORCES OF MAN
MAIN STUDY 3
Study of the Laws of Music in the Field of Unity – 7.3.0.00.00
Study of Music › 7.3.0 Content Main Study 3 › 7.3.5 Content Evolution of Tone and Sound in the Field of Unity › 7.3.5.10 Integrated mechanics of the combination of the overtone spectrum of the tone and the formants
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants in the musical fields of knowledge
Universale Analyse der Verbindung des Oberwellenspektrums des Tones mit den Formanten im musikalischen Erkenntnisprozeß – 7.3.5.10.00
- in the acoustic space
- in the musical tone-space
- in the musical motif-space
- in the musical sequence-space
- in the musical harmony-space
SEMINARS
Seminar 7.3.5.10.01
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the force-field of the acoustic space to the field of our neurophysiology
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
 |
|
|
|
|
| 7.3.5.10.01.1 | 7.3.5.10.01.2 | 7.3.5.10.01.3 | 7.3.5.10.01.4 | 7.3.5.10.01.5 |
Seminar 7.3.5.10.02
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of our neurophysiology to the force-field of our mind
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.02.1 | 7.3.5.10.02.2 | 7.3.5.10.02.3 | 7.3.5.10.02.4 | 7.3.5.10.02.5 |
Seminar 7.3.5.10.03
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the force-field of our mind to the field of our inner voice
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.03.1 | 7.3.5.10.03.2 | 7.3.5.10.03.3 | 7.3.5.10.03.4 | 7.3.5.10.03.5 |
Seminar 7.3.5.10.04
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of our inner voice to the field of knowledge of the musical tone-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.04.1 | 7.3.5.10.04.2 | 7.3.5.10.04.3 | 7.3.5.10.04.4 | 7.3.5.10.04.5 |
Seminar 7.3.5.10.05
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledge of the musical tone-space to the field of knowledge of our hearing
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.05.1 | 7.3.5.10.05.2 | 7.3.5.10.05.3 | 7.3.5.10.05.4 | 7.3.5.10.05.5 |
Seminar 7.3.5.10.06
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.06.1 | 7.3.5.10.06.2 | 7.3.5.10.06.3 | 7.3.5.10.06.4 | 7.3.5.10.06.5 |
Seminar 7.3.5.10.07
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.07.1 | 7.3.5.10.07.2 | 7.3.5.10.07.3 | 7.3.5.10.07.4 | 7.3.5.10.07.5 |
Seminar 7.3.5.10.08
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledge of our understanding to the field of knowledge of the musical sequence-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.08.1 | 7.3.5.10.08.2 | 7.3.5.10.08.3 | 7.3.5.10.08.4 | 7.3.5.10.08.5 |
Seminar 7.3.5.10.09
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.09.1 | 7.3.5.10.09.2 | 7.3.5.10.09.3 | 7.3.5.10.09.4 | 7.3.5.10.09.5 |
Seminar 7.3.5.10.10
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledge of our feeling to the field of knowledge of the musical harmony-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.10.1 | 7.3.5.10.10.2 | 7.3.5.10.10.3 | 7.3.5.10.10.4 | 7.3.5.10.10.5 |
Seminar 7.3.5.10.11
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledgeof the musical harmony-space to the field of knowledge of our intellect
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.11.1 | 7.3.5.10.11.2 | 7.3.5.10.11.3 | 7.3.5.10.11.4 | 7.3.5.10.11.5 |
Seminar 7.3.5.10.12
Integrated mechanics of the combination of the overtone spectrum of the tone and the formants at the transition from the field of knowledge of our intellect to the field of knowledge of our self-awareness
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical | Universal analysis of the combination of the overtone spectrum of the tone and the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
|
|
|
|
|
| 7.3.5.10.12.1 | 7.3.5.10.12.2 | 7.3.5.10.12.3 | 7.3.5.10.12.4 | 7.3.5.10.12.5 |