STUDY OF MUSIC
STUDY OF THE INNER FORCES OF MAN
STUDY OF THE INNER FORCES OF MAN
PETER HÜBNER – STUDY OF MUSIC – STUDY OF THE INNER FORCES OF MAN
MAIN STUDY 3
Study of the Laws of Music in the Field of Unity – 7.3.0.00.00
Study of Music › 7.3.0 Content Main Study 3 › 7.3.6 Content Evolution of Sounds in the Field of Unity › 7.3.6.10 The mechanics of the formants
The mechanics of the formants in the musical fields of knowledge
Universal analysis of the formants in the musical process of knowing – 7.3.6.10.00
- in the acoustic space
- in the musical tone-space
- in the musical motif-space
- in the musical sequence-space
- in the musical harmony-space
SEMINARS
Seminar 7.3.6.10.01
The mechanics of the formants at the transition from the force-field of the acoustic space to the field of our neurophysiology
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.01.1 | 7.3.6.10.01.2 | 7.3.6.10.01.3 | 7.3.6.10.01.4 | 7.3.6.10.01.5 |
Seminar 7.3.6.10.02
The mechanics of the formants at the transition from the field of our neurophysiology to the force-field of our mind
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.02.1 | 7.3.6.10.02.2 | 7.3.6.10.02.3 | 7.3.6.10.02.4 | 7.3.6.10.02.5 |
Seminar 7.3.6.10.03
The mechanics of the formants at the transition from the force-field of our mind to the field of our inner voice
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.03.1 | 7.3.6.10.03.2 | 7.3.6.10.03.3 | 7.3.6.10.03.4 | 7.3.6.10.03.5 |
Seminar 7.3.6.10.04
The mechanics of the formants at the transition from the field of our inner voice to the field of knowledge of the musical tone-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.04.1 | 7.3.6.10.04.2 | 7.3.6.10.04.3 | 7.3.6.10.04.4 | 7.3.6.10.04.5 |
Seminar 7.3.6.10.05
The mechanics of the formants at the transition from the field of knowledge of the musical tone-space to the field of knowledge of our hearing
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.05.1 | 7.3.6.10.05.2 | 7.3.6.10.05.3 | 7.3.6.10.05.4 | 7.3.6.10.05.5 |
Seminar 7.3.6.10.06
The mechanics of the formants at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.06.1 | 7.3.6.10.06.2 | 7.3.6.10.06.3 | 7.3.6.10.06.4 | 7.3.6.10.06.5 |
Seminar 7.3.6.10.07
The mechanics of the formants at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.07.1 | 7.3.6.10.07.2 | 7.3.6.10.07.3 | 7.3.6.10.07.4 | 7.3.6.10.07.5 |
Seminar 7.3.6.10.08
The mechanics of the formants at the transition from the field of knowledge of our understanding to the field of knowledge of the musical sequence-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.08.1 | 7.3.6.10.08.2 | 7.3.6.10.08.3 | 7.3.6.10.08.4 | 7.3.6.10.08.5 |
Seminar 7.3.6.10.09
The mechanics of the formants at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.09.1 | 7.3.6.10.09.2 | 7.3.6.10.09.3 | 7.3.6.10.09.4 | 7.3.6.10.09.5 |
Seminar 7.3.6.10.10
The mechanics of the formants at the transition from the field of knowledge of our feeling to the field of knowledge of the musical harmony-space
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.10.1 | 7.3.6.10.10.2 | 7.3.6.10.10.3 | 7.3.6.10.10.4 | 7.3.6.10.10.5 |
Seminar 7.3.6.10.11
The mechanics of the formants at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.11.1 | 7.3.6.10.11.2 | 7.3.6.10.11.3 | 7.3.6.10.11.4 | 7.3.6.10.11.5 |
Seminar 7.3.6.10.12
The mechanics of the formants at the transition from the field of knowledge of our intellect to the field of knowledge of our self-awareness
| HARMONY | HARMONY | HARMONY | HARMONY | HARMONY |
| Universal analysis of the formants in the musical process of knowing in the | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical | Universal analysis of the formants in the musical process of knowing in the musical |
| acoustic space | tone-space | motif-space | sequence-space | harmony-space |
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| 7.3.6.10.12.1 | 7.3.6.10.12.2 | 7.3.6.10.12.3 | 7.3.6.10.12.4 | 7.3.6.10.12.5 |