Veda Opera University - Universal Music Theory II

UNIVERSAL MUSIC THEORY II
The Practical Fundamentals of Universal Cognition

Noam Sheriff

publicly acknowledges the achievements of Peter Hübner:

“It is with the greatest pleasure that I recommend to you the creations of Mr. Peter Hübner in the various fields of music.

1. Musical compositions
2. Books
3. The new revolutionary system recently developed for recording music.
Mr. Peter Hübner is a brilliant mind and a great innovator in all fields of music and sound. His searching soul illuminates new aspects and opens new horizons in understanding and experiencing music.

He is a musician, philosopher, poet and innovator in one man. Every assistance which might be given to him will be rewarded in the future as his thinking in the field of sonics is unique.”

Noam Sheriff is one of Israel’s outstanding and most versatile musicians.
Born in Tel Aviv in 1935, he studied composition with Paul Ben-Haim in Tel Aviv, Boris Blacher in Berlin and Igor Markevitch in Salzburg.

In 1957, at the age of 22, he became world-famous with the premiere of his work ‘Festival Prelude’ with Leonard Bernstein and the Israel Philharmonic Orchestra.

As a composer and conductor, he has taught at the universities of Tel Aviv, Jerusalem, Cologne and Salzburg. He has also performed as a guest conductor with many of the world's leading orchestras.
His works ‘Revival of the Dead’ (première in Amsterdam by the Israel Philharmonic Orchestra) ‘Sephardic Passion’ (première in Toledo with the Israel Philharmonic Orchestra with Zubin Mehta (conductor) and Placido Domingo (soloist) and ‘Psalms of Jerusalem’ (première Jerusalem, December 1995, where the composer himself conducted the work) are today regarded as milestones in Israeli music.

1989-1995 Music Director and Chief Conductor of the Israel Symphony Orchestra.

Noam Sheriff has been Professor of Composition and Conducting at the Rubin Academy of Music at Tel Aviv University since 1990 and its Director since July 1998.

Since 2004 he has been music director of the Haifa Symphony Orchestra in Haifa, Israel.

Prof.
Rubin Abdullin

DIRECTOR OF THE NATIONAL UNIVERSITY OF MUSIC & DANCE, KAZAN, TATARSTAN, RUSSIA

in a letter to Peter Hübner:

“As you may know, we have integrated your very impressing composition ‘Sun Symphony’ into our educational program for our students: as an example of a convincing new direction in the field of composition, as a work of highest quality in the tradition of the great classical composers.”

Rubin Abdullin

Jesus
Lopez Cobos

wrote in a letter to the composer Peter Hübner:

“I have read with great interest your books ‚Natural Music Creation‘ and ‚Natural Music Hearing‘.

I was extraordinarily impressed. I have never seen the whole process of composing so clearly introduced.

At the same time I am also very interested in your system of DYNAMIC SPACE-STEREOPHONY ...”

Jesus Lopez Cobos is Conductor. For many years he was General Music Director of the GERMAN OPERA BERLIN, Music Director of the CINCINNATI SYMPHONY ORCHESTRA and Music Director of the CHAMBER ORCHESTRA OF LAUSANNE. Since 2003 he is Music Director of the TEATRO REAL in MADRID

Dr. med.
Larry Dossey

The author 1988 about Peter Hübners book ‚Natural Music Creation‘:

“Composer, Artist and Philosopher Peter Hübner has given us an important book of elegant beauty.
In it one can almost hear the music on the page. ‚Natural Music Creation‘ will inspire and enlighten anyone who reads it.”

Dr. Larry Dossey – author of several bestselling books – is a physician, deeply rooted in the scientific world. He has become an internationally influential advocate of the role of the mind in health and the role of spirituality in healthcare.
Bringing the experience of a practising internist and the soul of a poet to the discourse, Dr. Larry Dossey offers panoramic insight into the nature and future of medicine.

PETER HÜBNER
NATURAL
MUSIC CREATION

OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC

PART I
THE PROCESS OF CREATING MUSIC

PART II
THE CLASSICAL TEACHING SCOPE OF MUSIC

PART III
THE INNER MECHANICS OF CREATING MUSIC

PART IV
DIDACTICS OF MUSIC

PART V
THE FORCE-FIELDS IN MUSIC

PART VI
THE PURPOSE OF MUSIC TRADITION

PART VII
SPACE AND TIME IN MUSIC

PART VIII
THE PHYSICS OF MUSIC

PART IX
THE SYSTEMS OF ORDER IN MUSIC

PART X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS

PART XI
THE SCIENCE OF MUSIC

PART XII
MUSIC AND SPEECH