VEDA OPERA UNIVERSITY

Scientific Application and Artistic Utilization
of the Cosmic Harmony Laws of the Microcosm of Music

FACULTY FOR
MUSIC & MUSICOLOGY

Theoretical Fundamentals


UNIVERSAL MUSIC THEORY I
The Practical Fundamentals of Universal Creativity

NATURAL
MUSIC HEARING

OUVERTURE
CONVEYING TRUTH IN MUSIC


PART I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


PART II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


PART III
IMMORTAL AND MORTAL TRADITION OF MUSIC


PART IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


PART V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


PART VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


PART VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


PART VIII
EQUIVOCATION


PART IX
THE SECRET OF MUSIC


PART X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


PART XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


PART XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Musician and His Surroundings


  
In his work and in his suc­cess, the mu­si­cian thrives on the profundity of con­tact to his sur­round­ings – on the qual­ity of his re­la­tion­ship with the lis­tener.
The mu­si­cal logic par­ticu­larly focusses on this as­pect of prac­ti­cal gain­ing knowl­edge.

  
Gaining Knowledge in Music Together
On the basis of logi­cal deduc­tion, clas­si­cal mu­sic achieves per­fect unity, per­fect har­mony be­tween in­di­vid­ual and sur­round­ings.

  
Harmony between Individual and Surroundings
On the level of the har­mony, clas­si­cal mu­sic sets the crea­tive seed-im­pulses of the in­di­vid­ual lis­tener as well as that of the com­mu­nity of lis­ten­ers into a natu­ral co­or­di­nated func­tion, vi­brat­ing in ac­cor­dance with the laws of na­ture.

  
Group Dynamics
Thus, the in­ner logic of clas­si­cal mu­sic rep­re­sents the golden magi­cal key for a ful­fill­ing, truth­ful re­la­tion­ship be­tween the mu­si­cal crea­tor, the mu­si­cian, and the lis­tener, for it prac­tises eve­ry­one in re­al­iz­ing unity.

  
Exercises in Realizing Unity in Music
The true, su­preme so­cial achieve­ment of mu­sic lies in re­al­iz­ing har­mony be­tween man.
This, then, is a token of the di­vine spark in mu­sic.

  
The Supreme Achievement in Music

“The great se­cret of all crea­tive gen­iuses is that they pos­sess the power to adopt the beauty, the affluence, the great­ness, and the dig­nity of the om­nipo­tence to make it part of their soul, and that they share this wealth with oth­ers. The con­scious, pur­pose­ful con­quest of one’s own in­ner forces is the high­est se­cret.”

Giacomo Puccini


  
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