VEDA OPERA UNIVERSITY

Scientific Application and Artistic Utilization
of the Cosmic Harmony Laws of the Microcosm of Music

FACULTY FOR
MUSIC & MUSICOLOGY

Theoretical Fundamentals


UNIVERSAL MUSIC THEORY I
The Practical Fundamentals of Universal Creativity

NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


PART I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


PART II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


PART III
IMMORTAL AND MORTAL TRADITION OF MUSIC


PART IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


PART V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


PART VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


PART VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


PART VIII
EQUIVOCATION


PART IX
THE SECRET OF MUSIC


PART X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


PART XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


PART XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Musical Way of Cognition
to Wisdom and Happiness of Life


 
It is cer­tainly typi­cal of knowl­edge, that one can profit from it. This profit may be of vari­ous na­ture:

 
1. Mu­si­cal knowl­edge can impart prac­ti­cal wis­dom of life to the un­der­stand­ing and thus give our con­fi­dent ac­tion sure suc­cess.

 
Inspiration of the Understanding through Music
2. Mu­si­cal knowl­edge can en­cour­age the feel­ing, can in­crease the alert­ness on the level of feel­ing and thus refine the proc­ess of feel­ing.

 
Inspiration of the Feeling through Music
Thereby our emo­tional life be­comes more and more aware of the en­er­gies in­her­ent in it.
This in­crease of en­ergy in the field of our feel­ing we ex­peri­ence as hap­pi­ness.

 
So far, this in­crease of hap­pi­ness is not con­sid­ered part of the field of cog­ni­tion, but still it is the re­sult of a cog­ni­tive proc­ess on the level of our feel­ing. Nev­er­the­less, most of us strive for hap­pi­ness, and not with­out good rea­son are the wise con­sid­ered happy.

 
3. Mu­si­cal knowl­edge can bring sta­bil­ity to man in his en­tire thought and ac­tion from the depth of his feel­ing and un­der­stand­ing, be­cause feel­ing and un­der­stand­ing to­gether go through the mu­si­cal proc­ess of know­ing and are both placed into the state of su­preme cog­ni­tive po­ten­tial.

 
Integrated Inspiration of Feeling and Understanding through Music