VEDA OPERA UNIVERSITY

Scientific Application and Artistic Utilization
of the Cosmic Harmony Laws of the Microcosm of Music

FACULTY FOR
MUSIC & MUSICOLOGY

Theoretical Fundamentals


UNIVERSAL MUSIC THEORY I
The Practical Fundamentals of Universal Creativity

NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


PART I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


PART II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


PART III
IMMORTAL AND MORTAL TRADITION OF MUSIC


PART IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


PART V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


PART VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


PART VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


PART VIII
EQUIVOCATION


PART IX
THE SECRET OF MUSIC


PART X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


PART XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


PART XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Cognizant Music Listener


 
The cog­ni­zant mu­sic lis­tener is in­volved in the mu­si­cal proc­ess of gain­ing knowl­edge with his or­gans of cog­ni­tion: with his self-aware­ness, his in­tel­lect, his feel­ing and un­der­stand­ing, his mind, and his in­ner as well as his outer hear­ing, but also his neu­ro­physi­ol­ogy which, through the or­gan of hear­ing, trans­mits the in­for­ma­tion of the outer con­cert to the mind.

 
The Cognizant Music Listener