VEDA OPERA UNIVERSITY

Scientific Application and Artistic Utilization
of the Cosmic Harmony Laws of the Microcosm of Music

FACULTY FOR
MUSIC & MUSICOLOGY

Theoretical Fundamentals


UNIVERSAL MUSIC THEORY I
The Practical Fundamentals of Universal Creativity

NATURAL
MUSIC HEARING

OUVERTURE
CONVEYING TRUTH IN MUSIC


PART I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


PART II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


PART III
IMMORTAL AND MORTAL TRADITION OF MUSIC


PART IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


PART V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


PART VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


PART VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


PART VIII
EQUIVOCATION


PART IX
THE SECRET OF MUSIC


PART X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


PART XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


PART XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


Three Kinds of Equivocation


  
There are three kinds of equivo­ca­tion:
  1. equivo­ca­tion due to di­vergence – sepa­rateness – of mean­ing and form,
  1. equivo­ca­tion through deducing the mean­ing from the form, and
  1. equivo­ca­tion through deducing the form from the mean­ing.

  
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